The pond and the willows
The outdoor ceremony spot, beside a pond under weeping willows with the farm behind it. In my photo a wooden arch is set between the trees. It's open ground, so it gets its own sound, separate from the barn.

A day at Olympia's Valley happens in three places: the willow pond, the farmhouse and a timber barn more than a century old. I set up sound at the pond and in the barn before your guests get there, run the microphone and the timeline, and build the night toward that barn floor.
Olympia's Valley is a family-owned farmstead in the rolling hills outside Petaluma, in southwestern Sonoma County. The same family has farmed this valley since 1905, and it's still a working organic dairy and apple orchard. Wedding directories list it as Olympia's Valley Estate. Same place.
That matters for the music. This is open farmland, not a hotel ballroom. A typical day starts outdoors beside the pond, moves to drinks by the Victorian farmhouse, then into the barn for dinner and dancing. Your guests walk between all three, and the sound has to be planned for each one or the day goes quiet every time people move.
Outdoors there are no walls to hold a voice, and any breeze across open pasture will find a microphone. Indoors it's tall timber over a concrete floor, which is a lively room. I set up for both.
The outdoor ceremony spot, beside a pond under weeping willows with the farm behind it. In my photo a wooden arch is set between the trees. It's open ground, so it gets its own sound, separate from the barn.
Drinks happen outdoors near the old farmhouse. Its first floor and a separate cottage are used for getting ready. If you add music out here, it stays at a level people can talk over, and I ask the venue where a speaker can sit and where its power comes from.
Open beams, string lights and chandeliers overhead. In my photos you can see the wooden staircase and mezzanine, the stage end, and the concrete floor. My booth sat at the foot of the stairs, with speakers on stands facing the room.
I arrive early. On a property this spread out, that's the only way everything is tested before the first guest walks out to the pond.
The pond gets its own setup: a speaker aimed at your guests and a wireless mic. For a wedding that's the officiant, the vows and the processional cued. For a company event it's whoever's welcoming the room. The barn system is already built and tested. Nothing gets carried across a farm while your guests wait.
I don't assume a pond on a farm has an outlet. My estimate asks about power at the ceremony spot and adds a generator when one is needed, so it's settled weeks ahead, not found out that afternoon.
Timber, height and concrete make the barn bright to the ear. Speakers go up on stands and point at the dance floor, not the rafters. Dinner music stays under conversation, then I build it as the plates clear. Backup equipment is within reach all night.
Three spaces means two walks, from the pond to the farmhouse and from the farmhouse to the barn. That's my microphone. I announce each move, and the barn is already playing when they walk in. Music by the farmhouse during drinks is an additional sound zone, an add-on in the estimate.
The barn set for dinner, with the DJ booth by the stairs
At the decks with a full barn in front of me
On the mic, announcing from the barn's stair landing
The booth tucked beside the barn staircase, ready for the evening
The view from the decks, string lights and the whole room ahead
The barn's timber frame and stage end, speakers and booth in place
The willow-framed ceremony spot beside the pond
Dance floor in full swing, seen from behind the decks
With the couple in the barn, late in the night
The cake and the lit LOVE letters on the barn stage
The order of the day is mine to keep: when the ceremony or the welcome starts, when to call people over from the pond, when dinner has settled enough for toasts, and how long is left before the music has to stop. Every entrance, announcement and toast comes from me, so you can simply be there.
Before your date we go through my planning questionnaire and the music calls, down to the exact versions of the songs you love. And I don't guess at the venue's rules. I ask, then I build the timeline back from the music cutoff so the dance floor gets its full stretch and the last song is the one you chose.
The barn has its own string lights and chandeliers under the rafters. The warm uplighting on the walls in my photos is mine.
In a tall timber room, uplighting does one job. It lifts the walls out of the dark once the sun is down, so at dance time you can still see you're in a barn. Uplighting, dance-floor lighting and a custom monogram or pattern projection are add-ons you choose in the instant estimate.
The farm invites everything from a corporate retreat to a wedding, and that fits what I play: company events and holiday parties, birthdays and milestone celebrations, fundraisers, dinners and welcome parties.
Not every event needs an MC and a timeline. A Selector Session is a set of my own programming, up to four hours, for a dinner, a cocktail hour or an after-party. The Journey is its own thing: a live sound bath that flows into a facilitated ecstatic dance.
Every room, from Napa Valley to the coast, is on the rooms list.
Your date, what you're celebrating, and which parts of the farm you're using. The instant estimate takes a couple of minutes, or book a short call and we'll talk it through. I'll take it from there.