The Rotunda atrium and dome
The multi-level heart of the store, open all the way up to the stained glass. My photos show guests seated at tables around the floor with the columns lit amber.

A stained glass dome over an open atrium is beautiful to look at and hard to play under: glass and plaster throw sound back at you. I've DJed and MCed under it, and lit it, so I set up for the room that's really there.
The Rotunda is the central atrium of the Neiman Marcus store on Union Square in San Francisco, at the corner of Geary and Stockton, with the plaza right across the street. Over it sits a stained glass dome that belonged to the City of Paris, the department store that traded in San Francisco from 1850 until March 1972 and once stood on this site.
When the old building came down, the rotunda and its dome were preserved and built into the store that replaced it, a postmodern design that opened in 1982. So you get a Beaux-Arts dome, gilded plasterwork and fluted columns inside a modern building, with tall windows looking onto the city. For decades the rotunda held the Christmas tree San Francisco thought of as its own.
For music, that means an open, multi-level room with glass overhead and hard surfaces all around. Sound travels up and comes back. It also means a working department store on a dense downtown block, so the plan for getting gear in and out matters as much as the playlist.
The multi-level heart of the store, open all the way up to the stained glass. My photos show guests seated at tables around the floor with the columns lit amber.
A restaurant has long wrapped around the top of the atrium, behind a curved balustrade under the dome. From up there you look down into the room and out at the city. Whether it's taking private events now is a question for the venue. If so, it gets its own sound zone.
Sound goes up and comes back, and every case rolls in through a working store. Here's how I handle both.
Glass, plaster and an open atrium send sound straight back. So I don't turn it up to fill the space. I place speakers near the people, aim them at guests and away from the dome, and keep dinner and cocktail music at a level you can talk over. The build comes later, as the plates clear.
This is a department store on a busy downtown block at Geary and Stockton. I don't assume a loading dock. Before the day I get the entrance, the route and the time window from the venue, then arrive early enough that setup is finished and quiet before your first guest walks in.
Speech is the first thing a glass dome swallows. I run a wireless microphone and carry a backup. As MC I handle the welcome, the toasts and every announcement, short and clear, so nobody at the tables on the floor, or up on the ring if guests are there, has to shout across the atrium.
A room inside a store may run on the store's clock. I get the music end time from the venue, and whether the evening starts during store hours or after, then build the night back from it. I also ask where I can set up and what power is at that spot, so nothing gets worked out on the day.
You don't have to carry the music, the microphone or the clock. Before your event we go through a planning questionnaire, then planning and music calls: the order of the night, who speaks and when, the songs you love (the exact versions) and the ones you never want to hear. By the time I arrive, I know your event inside and out.
This room sits inside a store, and the store has its own rules. I get those from the venue directly, well ahead, and bring you the answers along with a plan that fits them.
The lighting in the photos here is mine. In one, from 2012, the fluted columns are washed in warm amber under the green, blue and gold of the dome. In the other, magenta-pink uplighting runs across the gilded plasterwork and the balcony ring.
Uplighting does a lot in this room because the architecture is already there to catch it. Add uplighting in the instant estimate, along with a monogram or pattern projection if you want one.
This room suits an evening: a company dinner, a brand launch, a holiday party under the dome where the city's Christmas tree stood for decades, a milestone birthday, a fundraiser. A wedding reception or a welcome party fits too, if the venue is booking them.
If you want a sound more than a program, a Selector Session is a set of my own programming, up to four hours, and it suits a cocktail hour or dinner here well. Soulful electronic, lounge, Motown, Latin: whatever the room and the crowd call for.
Every room, from Napa Valley to the coast, is on the rooms list.
Tell me your date, the kind of event and the feeling you want in the room. The instant estimate gives you a price in a couple of minutes, or book a short call and we'll talk it through.